సినిమాటోగ్రఫీ: కూర్పుల మధ్య తేడాలు

* కాగితాలు :480/464

* ISBN :0-935578-31-5/0-935578-32-3

 

Volume One is the reference guide containing in-depth chapters by noted professionals such as “Framing for Television” by Dave Kenig; “Comparisons of 1.85, Anamorphic and Super 35 Film Formats” by Rob Hummel; “Anamorphic Cinematography” by John Hora, ASC; “Lenses by Iain Neil; “Motion-Control Cinematography” by Richard Edlund, ASC; “Aerial Cinematography” by Jon Kranhouse; “Underwater Cinematography” by Pete Romano, ASC; “Digital Postproduction for Film” by Bill Feightner and Robert L. Eicholz; “Shooting 16mm Color Negative for Blowup to 35mm” by Irwin Young, etc.

* ISBN :935578269

* వెల :$17.95

Anton Wilson presents highly readable, helpfully illustrated essays on film stocks and formats, cameras, lenses, filters, lighting, sound and batteries–as well as underwater cinematography and video. The author’s qualifications speak for themselves: he has worked as a freelance director, producer and cinematographer for countless documentaries and commercials. Partner and co-founder of Anton/Bauer Inc.–the well-known manufacturer of high tech accessories for the film industry. Wilson’s cogent writing style and first-hand knowledge about filmmaking makes this fact filled book one that filmmakers keep close at hand.

 

* ISBN :0-935578-20-X

* వెల :$24.95

Pioneering cinematographer Charles G. Clarke, ASC wrote this slim volume in 1964 at the urging of his students at UCLA. Mr. Clarke suffered a heart attack while preparing to shoot Marines, Let’s Go in Japan. Upon his retirement, old friend and Fox producer Kenneth Macgowen (In Old Chicago, Lifeboat) who was head of the theater arts department at UCLA, persuaded Mr. Clarke to join the faculty. Revealed here for the first time is the thinking and philosophy of a man who spent his entire life photographing major Hollywood feature films. The lessons he shares are timeless. While some of the technology has changed, the core techniques and craft have not. There is no padding here, just straight dope. Whether you are just beginning or a veteran filmmaker, his refreshing views spark new ideas born of old wisdom.

 

* ISBN :0-935578-16-1

* వెల :$90

Reflections examines the practice of cinematography for cinema lovers, students, and film professionals from the perspective of those artists who paint within the medium of light to dark. It is divided into seven sections: cinematography basics, the key light, portraits, day interiors, night interiors, lab techniques, and the designing sequences. Each section contains extraordinary material in the form of illustrations, diagrams, reproductions of 35-mm film frames and scholarship of twenty such "masters of light". And they are: Stephen Burum, ASC, Jordan Cronenweth, ASC, John Hora, ASC, Owen Roizman, ASC, Phillippe Rousselot, ASC,AFC, Michael Hugo, ASC, Stephen Goldblatt, ASC, Steven Poster, ASC, Frederick Elmes, ASC, Tony Pierce-Roberts, BSC, Vilmos Zsigmond,ASC, Haskell Wexler, ASC, Laszlo Kovacs, Yves Angelo, ASC, Jack Green, ASC, Denis Lenoir, ASC, AFC, Raoul Coutard, AFC, Allen Daviau, ASC, Darius Khondji, ASC,AFC and Vittorio Storaro, ASC, AI

 

* ISBN :0-935578-30-7

* వెల :$19.95

From its basic chapter on cinematographic principles to the actual tables, charts and formulas used by professional cinematographers, this slim volume gives the film student authoritative facts, clearly presented. The American Cinematographer Manual is a professional resource that is used by cinematographers around the world. Conceived by Hollywood feature-film cinematographers over 70 years ago, the manual is designed to be a complete reference source on the set. It covers every aspect of cinematography from lens to lab. The current edition encompasses more than 880 pages.

 

* ISBN :0-935578-293

* వెల :$49.95

Image Control explains the devices and means that can be used to create a memorable and expressive image on a television and motion-picture screen. The key to creativity is mastery of the medium, so it is vital to understand the impact that filters and lab procedures can have on film and digital images. In the pages of this book you will learn closely guarded secrets that professionals have developed though hard work and years of experience. Image Control shows, practically and succinctly, how to manipulate the image in front of the camera, inside the camera and in the lab.

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by Luis Buñuel. Vintage Books, 1984.

 

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