రాజేశ్వరీ పద్మనాభన్: కూర్పుల మధ్య తేడాలు

దిద్దుబాటు సారాంశం లేదు
పంక్తి 5:
ఈమె కారైక్కుడి వీణ సంప్రదాయానికి చెందిన తొమ్మిదవ తరం వైణికురాలు. ఈమె తాత కారైక్కుడి బ్రదర్స్‌గా పేరుపొందిన వారిలో పెద్దవాడైన కారైక్కుడి సుబ్బరామ అయ్యర్.
 
ఈమె తన ఐదవ యేటి నుండే [[కారైక్కుడి సాంబశివ అయ్యర్]] వద్ద గురుకుల పద్ధతిలో 1958లో అతడు మరణించేవరకూ సంగీత శిక్షణ తీసుకుంది. ఆ తర్వాత భారత ప్రభుత్వ ఉపకారవేతనం పొంది [[మైసూరు వాసుదేవాచార్య]]వద్ద గాత్ర సంగీతాన్ని అభ్యసించింది. ఈమె చెన్నైలోని "కళాక్షేత్ర" ప్రిన్సిపాల్‌గా పనిచేసి అనేక సంవత్సరాలు సంగీతాన్ని బోధించింది.
From the very young age of five, she was under the tutelage of her grandfather Karaikudi Sambasiva Iyer (the younger of the Karaikudi Veena brothers) in the Gurukula system and remained under his guidance until the demise of the maestro in 1958. Later, under the Government of India scholarship, she continued her training in vocal from the composer Late Sri. Mysore Vasudevachar. She was principal of Kalakshetra where she worked and taught for many years. Among the numerous awards she has received, she was also the recipient of the Kalaimamani and Sangita Kalanidhi.Smt. Rajeshwari was known for her musical integrity and virtuosity. Besides performing, she has composed a few varnams and tillanas, has set to tune the text of Kumbeshvarar Kuravanji for a dance drama, and is also credited with innovative approaches towards making the portable Veena and designing a new acrylic ‘melam’.
 
From the very young age of five, she was under the tutelage of her grandfather Karaikudi Sambasiva Iyer (the younger of the Karaikudi Veena brothers) in the Gurukula system and remained under his guidance until the demise of the maestro in 1958. Later, under the Government of India scholarship, she continued her training in vocal from the composer Late Sri. Mysore Vasudevachar. She was principal of Kalakshetra where she worked and taught for many years. Among the numerous awards she has received, she was also the recipient of the Kalaimamani and Sangita Kalanidhi.Smt. Rajeshwari was known for her musical integrity and virtuosity. Besides performing, she has composed a few varnams and tillanas, has set to tune the text of Kumbeshvarar Kuravanji for a dance drama, and is also credited with innovative approaches towards making the portable Veena and designing a new acrylic ‘melam’.