జమునా కృష్ణన్: కూర్పుల మధ్య తేడాలు
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Born on 12 March 1943 in New Delhi, Shrimati jamuna Krishnan received her training in Bharatanatyam from K.J. Govindarajan of the Thanjavur school and later from Kalanidhi Narayanan. She has received training in Carnatic music under S. Gopalakrishnan. She holds a Master's degree in economics, and has taught at the Indraprastha College for Women in Delhi for over twenty-five years.
Shrimati Jamuna Krishnan is well known today as a performer and teacher of Bharatanaryam, and is also an innovative choreographer in the dance form. The special focus of her work has been new choreography based on her reading of the bhakti poetty of North India, as also Tamil poetry old and new. This exploration began with her immersion in Vidyapati, whose poems she cast in Varnam format , and continued through her study of Surdas, Tulsidas, Meerabai and Kabir. She has also studied in Tamil the divyaprabandhnms of the A1wars, ancient Sangam literature, Manikkavachakar's Tiruvachakam, the Thirukkural, and Subramania Bharati's works creating choreographies in Bharatanatyarn. At her school of dance in Delhi, Kalangan, she has trained dancers from India and abroad. Shrimati Krishnan has conducted several workshops overseas, including three in a row on abhinaya, the Ramayana, and the Thirukkural (2002-4) at the Association de Recherche des Traditions de l'Acteur in France. She has presented papers on devot ional poetry at several forums. She is involved also in develo ping a pedagogy integrating the arts with general education, introduced experimentally in some schools in rural Haryana.
Shrimati Jamuna Krishnan has received honours for her work including the Parishad Samman conferred by Sahitya Kala Parishad, Delhi (2003).
Shrimati Jamuna Krishnan receives the Sangeet Natak Akademi Award for her contribution to Bharatanatyam,
The sudden demise of Bharatanatyam guru Jamuna Krishnan has left the dance circles of Delhi in shock and sorrow. A multi-dimensional persona – a musician, dancer/guru, a retired professor of economics at Delhi University – the Sangeet Natak Akademi awardee was always full of verve and vivacity. Music was in her blood, born as she was into an artistic family where her mother was a vocalist and a practising artist in veena. She took to music like fish to water and along with it came an intense love for poetry. She trained in Bharatanatyam under the tutelage of Delhi’s famous K J Govindarajan at Triveni Kala Sangam for nearly three decades. Later, she honed her abhinaya facet under Kalanidhi Narayanan of Chennai. Trained as she was in those days by such doyens, it was imminent that her dance was strictly traditional and orthodox though later she herself emerged as a path-breaker with her innovative productions.
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