నాట్యము: కూర్పుల మధ్య తేడాలు

పంక్తి 86:
=== Dance in South Asia ===
[[దస్త్రం:Iranain Dance.jpg|thumb|right|[[Iranain]] dance is a good dance.|{{pufc|1=Iranain Dance.jpg|log=2009 March 31}}]]
[[దస్త్రం:KUcipudi naatya kalaakaarunulu.JPG|thumb|rightleft|కూచిపూడి నాట్యంలో ఒక దృశ్యం. వనస్థలిపురంలో తీసిన చిత్రము]]
 
==== India ====
 
[[దస్త్రం:KUcipudi naatya kalaakaarunulu.JPG|thumb|right|కూచిపూడి నాట్యంలో ఒక దృశ్యం. వనస్థలిపురంలో తీసిన చిత్రము]]
{{Main|భారతీయ నాట్యం}}
During the first millennium [[common era|BCE]] in India, many texts were composed which attempted to codify aspects of daily life. In the matter of dance, [[Bharata Muni]]'s ''[[Natyashastra]]'' (literally ''"the text of dramaturgy"'') is the one of the earlier texts. Though the main theme of ''[[Natyashastra]]'' deals with drama, dance is also widely featured, and indeed the two concepts have ever since been linked in Indian culture. The text elaborates various hand-gestures or [[mudras]] and classifies movements of the various limbs of the body, gait, and so on. The [[Natyashastra]] categorised dance into four groups and into four regional varieties, naming the groups: secular, ritual, abstract, and, interpretive. However, concepts of regional geography has altered and so have regional varieties of Indian dances. Dances like ''"Odra Magadhi"'', which after decades long debate, has been traced to present day Mithila-[[Orissa]] region's dance form of [[Odissi]], indicate influence of dances in cultural interactions between different regions.
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