నందికోళ్ల గోపాలరావు: కూర్పుల మధ్య తేడాలు

పంక్తి 5:
వీరు చిత్రించిన ముఖ్యమైన కళాఖండాలు:
* '''మురళీకృష్ణ''' (1927) : ఇందులో [[శ్రీకృష్ణుడు]] పశువులను మరియు పక్షులను తన వేణుగానంతో ఎలా సమ్మోహనం చేసేది కళాత్మకంగా చిత్రించారు.<ref>[http://www.gopalarao.com/painting3.html Painting of Murali Krishna]</ref>
* '''శ్రీమన్నారాయణుడు''' (1928) : ఇందులో [[శ్రీమన్నారాయణుడు]] శ్రీదేవి మరియు భూదేవితో నాలుగు చేతులలో శంఖం, చక్రం, కమలం మరియు గధ ధరించి శేషనాగుపై నిలుచున్నట్లుగా చిత్రించారు.<ref>[http://www.gopalarao.com/painting4.html Painting of Sriman Narayana]</ref>
* '''Sriman Narayana''' (1928) : This painting reflected a radiant beauty of [[Sriman Narayana]] with his consorts in vibrant colors which could only be worshiped. He is portrayed holding the four attributes associated with him: A conch shell, held by the upper left hand, The chakra, a sharp-spinning discus-like weapon, held by the upper right hand, A mace, held by the lower left hand, A lotus flower, held by the lower right hand. He is shown reclining on Shesha Naga, the assemblage rests on the "Kshira Sagar".<ref>[http://www.gopalarao.com/painting4.html Painting of Sriman Narayana]</ref>
* '''Uthra Abimanya''' (1929) : The painting depicts the love between Uthra, the daughter of Virata Raja and Abimanya, the son of Arjuna. The theme is taken from the "Virata Parvam" from [[Mahabharata]]. The painting is so well crafted that the details like the folds of Uthra’s saree, while she leaning over Abhimanya in war costumes with his horse in the backdrop.<ref>[http://www.gopalarao.com/painting5.html Painting of Uthra Abimanya]</ref>
* '''Vilasani''' : The oil on canvas painting showed the figure of a unclothed lady like a flower along with a sleeping dog.<ref>[http://www.gopalarao.com/painting6.html Painting of Vilasini]</ref>